MERCENARY - ABSOLUTION (2015) Steven Seagal

After nearly a two year absence (on my own blog) what better way to return...than with a review for the 'Stout Sensei's' latest (which despite a limited '10 screen' run in the U.S.) went straight to nearest supermarket shelf in the UK.......I've been away for 2 years....Seagal has been away from cinematic lead roles since Half Past Dead (The parallels are there, however flimsy)
Ladies and (the few) Gentleman (out there) I bring you

MERCENARY - ABSOLUTION
(Don't call it a comeback...We've been here for years)

The Plot

John Alexander (Steven Seagal) is an off-the-grid government hitman ('The Best') who takes out the garbage that the shadowy organization no longer need. Tired of the endless killing (of which he's 'The Best' at) he seeks redemption for all his sanctioned killings. He needs to readdress the balance of the bloodshed, and perform a good dead to counterbalance the carnage.

Basically, if you haven't fucking figured it out yet.....He's the Mercenary seeking Absolution (He's previously been a Mercenary for plain old JUSTICE in the past) I dare say that his answer-phone message is probably "Hi this is Steven Seagal....I'm not in right now, I'm OUT...either FOR JUSTICE...or A KILL....or maybe just GROCERIES......But the bottom line is I'm OUT OF REACH, right now"

(A Good Man meets a good Mann)

Anyhow, Alexander's sidekick Chi (Byron Mann) accompanies him on 'jobs' (their latest assignment being in 'DTV-Budget-Friendly' Romania) After wiping out some scummy Afghan Terrorist motherfucker, our heroes hold out in a bar, and await a safe exit, through their shadowy 'Handlers' 

Alexanders 'Absolution' comes in the shapely form of Nadia (Adina Stetcu ....who is a step up from the usual generic eye-candy of the DTV genre) Terrified and screaming, it transpires that Nadia (and her sister) have run afoul of sadistic mob Boss (Vinnie Jones) who has a sideline in torturing and murdering women. Nadia has fled his clutches (but her sister has been given the 'Deluxe-Ike-Turner-Workout' by the former footballing thespian)  With his minions in tow, trying to retrieve the girl, Alexander seizes his chance to do the right thing and intervene.
 

 

("You put your left arm in...I pull your left arm out...In...Out...In...Out....And shake it all about")

Both Alexander and Chi beat up the gangsters and flee the scene (with girl in tow) Unbeknownst to them, the girl has has stolen a video camera containing footage of her sisters murder (filmed in Vinnie Jones' snuff-dungeon) However, this sadistic mob boss has shady links with the very Handlers that are safeguarding Alexanders safe passage back to the good old U.S....Making escape from Romania for our 2 heroes, near impossible. Cornered (but never scared) Alexander (and Chi) must take the fight to the bad guys.

(Hitting a cinema near you...Maybe? Lionsgate pull out few stops, in returning Seagal to cinemas)

Review

Whilst lacking the big budget spectacle of earlier movies like On Deadly Ground or Under Siege 2, Absolution succeeds over more recent releases by having a clear narrative (and not much 'filler' plot) If the movie had a bigger budget, then this could have easily held it's own against any action blockbuster blocking up the multiplexes. As it stands, the movie is technically proficient enough for a DTV release (hampered only by limited locations and scaled down set-pieces) Compared to the likes of heavily padded affairs like Black Dawn or Flight Of Fury, the movie is a triumph in it's simplicity. Director Keoni Waxman uses the low budget wisely and gives the fans want they want to see.....Seagal in full-on badass mode. The movie goes from A to B to C, in an efficient manner, ticking all the genre boxes where they count. By now, the audience must be in on the joke, as we watch a succession of inept henchmen foolish enough to throw fully working limbs at our hero, only to have said appendages returned, either broken.....or at all.
Sometimes familiarity breeds 'content'

 

("Anything George Segal can do...I can do better....I can do anything better than him")

Seagal (looking a little older, but wiser) whispers a lot of his dialogue in his usual world-weary manner. However, given his character's motivations (or lack of them) this performance works in his favour. He seems to have slimmed down a little (since Force Of Execution) and remains imposing in his fight scenes. Co-star Byron Mann compliments Seagal admirably (and performs the more acrobatic stuff) If Seagal wishes to take a back-seat in future movies, he could do a lot worse than share centre stage with Byron Mann more often. They have good chemistry together. 

("I'm a little teapot, short and stout...Tip me up, and pour me out")

 Whilst Seagal won't be giving the stunt team of The Raid series sleepless nights, he acquits himself well (for a guy in his 60's) the rapid edits in his fight scenes are not to cover any inadequacies in his skills, but sadly an unfortunate bi-product of  keeping up with the Hollywood 'standard' of fast paced (rapid) action (a big 'fuck you' to Matt Damon and Co. for effectively ruining action-cinema as we know it)   Make no mistake (Like for example, mistaking sandpaper for toilet paper) Seagal is still fast and furious with his hands (and a few limited kicks) However, given his assassin credentials in the movie, he executes a lot of targets utilizing gunplay (shooting/fighting take a 50/50 split of the action on display here) At his age, size and appearance, Seagal still looks more convincing as a badass than (the worn-out cliché that is) Liam Neeson.

("I a-wrist you in the name of the law")

As with A Good Man, my standout rumble was between Seagal and Ron Balicki. These guys go way back (apparently?) and there is a sense of mutual respect for each other (meaning Seagal makes slightly more 'work' of this foe)
Vinnie Jones in comparison, gets tossed around like a rag doll in the final showdown (hardly a spoiler, at this stage of the game) which is a shame, but it's enjoyable to hear Seagal taunt his prey during the one-sided beatdown and refer to Jones as "Bitch" before and throughout their brief rumble. A little more of the final hand-to-broken-hand combat wouldn't have hurt anyone (apart from Vinnie Jones, that is)

(The executive at Lionsgate that green-lit the cinema release...Was suitably rewarded by his bosses)

As previously mentioned, the plot is straightforward enough, and doesn't contain filler scenes, story or actors (unlike say, Out For A Kill or Shadow Man) Seagal seems purposely 'lethargic' (or at least that's the excuse I'm going with?) and the action is spread out evenly across the running time, and there's nary a dull moment. Seagal is on-screen throughout the movie (no long periods of inactivity, unlike say Force Of Execution) Seagal might have been back as an A list star, had he made more films of *this* standard 10 years ago (instead of the incoherent dub-fests he put his name to) Regardless of it's limited cinematic run...I tend to think the big screen has missed Seagal (and vice-versa)

(Producers are hoping that Seagal's 'Gone-To-bed' eyes, might bring in the ladies?)

However, before I go on a full-on Fanboy gush-fest, the movie is not without faults, and as usual it's down to the usual culprit of many modern Seagaldom (namely 'Doubles') The 'body doubles' for Seagal are noticable, but not entirely his fault. They exist more for continuity, rather than the 'fight sequences'. I know the 'Stout One' is rarely on set these days, but maybe if Waxman didn't feel the need to film inserts that link all of Seagal's filmed scenes, they wouldn't be so apparent? The bottom line is, I can guess that Seagal has to get into a car to get from point A to B......However, I don't need to see a badly shot 'double' doing such (I don't even need to see Seagal himself do such trivial stuff) I'd also like to semi-gripe that however brutal some of the fight scenes are, Seagal (who surely possesses a huge repertoire of moves and techniques) could do with mixing it up a little from his usual punch, chop, kick combos of his recent movies. I know these kind of DTV 'gigs' have brief shooting periods, but a little more fight coreography wouldn't go amiss.

("If my ponytail has to go......so does yours!")

Purportedly part of a trilogy of 'Mr Alexander' movies (following on from Force Of Execution and A Good Man) Despite the character name staying the same....The traits (or timelines) couldn't be any different (so I don't think it's panned out as the three-part saga that director Keoni Waxman had envisioned?) More likely that Seagal as going through his historical warlord phase ('Alexander' according to Greek etymology, means either "Defender" or "Protector of man" (Byron Mann, in this case)

(The FX budget for Marvels 'HULK MEETS SHE-HULK' movie had shrunk considerably)

Mercenary - Absolution (however much an improvement) is likely better suited to the small screen. And on that level, it's action packed (and coherent) enough to qualify as an above average DTV movie. It might have worked on the big screen, but a lack of big budget CGI spectacle and limited location work, may have left mainstream audiences looking at their watches (and maybe even their calendars, just to check it wasn't 1994 again?) As it stands, it's an old school biff em' up, with no pretensions to be anything else. It's not Out For Justice, nor should we expect it to be. Seagal is still the 'Baddest Man On Planet Action'...but would/could benefit from a shift in gear (and a change in directors and crew) Whilst hardly likely (at this stage in the game) to win any new converts....longtime fans (who have endured some really shitty movies in the past) should enjoy the movie on it's own limited terms. I enjoyed it immensely (because I'm a pervert) but would like to see something a little different with (the upcoming) Code Of Honour (hopefuly a change in director might lead to a change in direction?)

I live in hope....but overall, this is a solid Seagal movie (and should be cherished as such)

(Here's a poster I created in the build-up to this movies release)

CITY DRAGON (1995) 'Philthy' Phil Phillips

In the immortal words of Andy Williams....'Where Do I Begin?"

How on earth would a few lines of synopsis, do a movie like CITY DRAGON justice? For starters, it's a Kung Fu flick. Secondly, it's a comedy (of sorts) and it's also a semi-musical. It's also cringe-worthy in acting, plot, dialogue, fight scenes and music.......Yet somehow, it works!
I try to add a little humour to my reviews (and fail, most times) but it's a nigh-on impossible task to be any more humorous than the source material itself. The following synopsis (and 'ahem' lyrics) are the genuine article, as featured in this (slow) motion picture.


This epic movie opens up, with four Latino homeboys trying to carjack Ray, and falling foul to his amazing(ish) kung-fu skills (fools!) Ray (played by the amazingly named M C Kung-Fu) is a rapping romeo of the streets (seriously, 96% of his entire dialogue rhymes) and he hangs out with his two 'homies' Philthy Phil and (pretty fly for a white guy) 'Rhymin' Rick (who's a self proclaimed 'wigger') They lock hands a recite the following rhyme:

"Four Homedogs
It is our duty
To get some 'trim'
To get some boootttaaaay"

We sit (slack-jawed) as our three heroes meet up in a club, free-styling over the ladies they've loved (no joking, these guys constantly brag about the daily rota of girls they do the 'wild thang' with!) Ray spends little time in chatting up a cutie (rhyming throughout) and after bedding her leaves her a 'rapping' dear Jane letter, the following morning (To which she remarks "You rhyming fuck!")


No sooner than this (and for no apparent reason whatsoever) we cut to an almost music video montage of Ray rapping on the streets (a lovely ditty called 'Scandalous') that puts all other rap songs to shame (and doth officially piss on anything by Eminem)

"Brace yourselves, ladies, ladies
Here with cool three brothers crazy
Sniffing, sniffing, til we find you
Then they go boom, shakers spot you.
Acting cool, don't wanna blow it
Tricking chicks, but they don't know it.
Jealous boyfriends love their uzi,
But i don't care...they can kiss my booty"

(CHORUS)

"Scandalous, Scandalous...oh no...he's Scandalous...woof, woof, woof!"

Still though, our three heroes still have time to meet up in the dojo (and in true Three Musketeers style 'hand-on-hand' chant) recite their credo for life and love:

"One....
Two....
Three....
Three home-dogs getting' busy
Knocking boots, we make girls dizzy
Three of us, having a ball
So many women
We'll have em' all!"


But when Ray (dressed up in a all black, shorts and dungarees combo, that would shame Milli Vanilli) meets Tina, it looks like he's met his perfect match (and duff chat-up lines asside) and looks to stop his 'player' lifestyle. (Can a stud as bad-ass as Ray leave the 'game'.....and will the 'game' let him leave?) Problem is, Tina has just finnished with her psychotic ex, called John. (mmmm?)
(The Frisbee, just rounds off, an already impressive 'fashion statement' for M C Kung Fu)

Tina's boyfriend, John is a raging Psychotic, and when he suspects her of cheating on him (which, technically, she is) he kicks the shit out her. Tina leaves him, and moves in with Ray.

Philthy Phil, could very easily be in the music biz fo' real, when you hear him 'dropppin' rhymes in overtime' to his (haunting) rap ballad 'Night-swim' (which for my money, just pips 'Scandalous' to the post, with it's edgy rhymes and soulful chorus)

"I was at my girlie's on a Friday night
Smooth champagne and candlelight
Musics pumping, crowd is jumping
Later on tonight, we will do something"

(CHORUS)

"Nightswiiiiiiimmmm, I'll take you on a nightswim baby"

(Bear witness to Philthy Phils microphone fitness)

As Philthy is 'spitting lyrics' for the crowds (with their chants of "Go Philthy, Go Philthy") John (and about ten of his buddies) confront Ray (who opens a can of whupass on all of them) But during this 'ruckas' Philthy Phil is shot. This scene really upset me, to the point were I've not included any stills. Thankfully Philthy Phil survives (and is soon chatting up the nurses in hospital) Maybe he won't be as nimble to 'bust a move', but homeboy can still "rhyme like a ma'facker" (.....eh?)

(I couldn't insert a still of Philthy Phil getting shot....sorry guys)

John (alone and dejected) reaches boiling point, and whilst at work (pot-washing) he flips at the constant jibes by (camp) fellow worker, Queen Mary....whom he promptly murders. But a rookie cop (who almost steals the movie) jumps into the scene of the recent homicide, and arrests John with a cry of "Drop the queen" and giving him five seconds to surrender (with a countdown consisting of "Un...Deux...three...four.....five") A genuinely funny line of dialogue (which seems out of place, given all the other unintentional 'howlers'?)

Ray and Tina move in together (tina is expecting a baby, but unfortunately John is the father) Unfazed, Ray grts on with his usual routine (i.e, training, and occasionally fucking up more street punks for the crime nudging his ice-cream cone) but despite his bad-ass lifestyle, he seems to settling down. Ray gets a steady job in an office (doing 'god-knows-what?) but it's not long before his reputation as a sword-smith comes back to haunt him, in the shapely form of his blonde female boss (who blackmails Ray for sex) All this double 'pipe-layin' is exhausting the City Dragon out, and he's simply too tired to give Tina the (ahem!) attention she deserves. Tina confronts Rays 'nymp-ho boss', finds out about his 'overtime' and she leaves him, and moves in with her father (who is a rather unsympathetic character)

(Perks of the job)

(John, incarcerated and restrained, but obviously not deemed dangerous enough to be left around Electrical sockets?)

Ray (although gutted at Tinas absence) keeps on top of his training, but is cronfronted by a dozen or so goons at the dojo. The ringleader (in a fetching Superman t-shirt) really lays into Ray (mocking him in a 'stereotypical' ching-chong Chinaman accent) Things really reach boiling point, when these ruffians mock Bruce Lee. Needles to say, Ray kicks all their asses.

John breaks out of the mental institution, and kidnaps Tina's newborn baby from the hospital. Ray happens to be on the scene, and chases John to the hospital rooftop. But Tina's ex dangles the newborn baby (a patently obvious doll) from the roof. Ray talks John out of it, then (can you guess what happens next?.......) Yep, Ray kicks his ass!

One duff fight scene, a dead psychotic ex-boyfriend and safe baby later....Ray and Tina are reunited, and walk off into 'Happyendingsville'

For all those, craving the days of Dolemite and The Last Dragon and (a dash of) Breakin.....add City Dragon to your collection, it's way better than all the 'Save The Last Dunce/Never Back Down' shite that Hollywood is putting out.....without a doubt.....Ray turns it out....He's got the clout.....To knock you out (see, one viewing of this movie, results in a all-day 'rhyme-fest'?)

(NOTE: Philthy Phil don't use no ghost-writers fo' his lyrics of fury)

ATTACK FORCE (2006) Steven Seagal

After a long delay (sorry guys, I've been watching back-to-back eisodes of DALLAS) I thought I'd return with a biggie (in every sense of the word) in the form of Steven Seagals 2006 (Sci-fi/Romanian mobster/is it/isn't it/sci-fi/horror/dub-fest) masterpiece ATTACK FORCE.

(The photoshopped 'slightly large head' should tell you all you need to know)

As usual with most of Seagals DTV movies, constant re-writes are as standard (titles also change....usually to work around the tried and tested '3 word formula', associated with the Stout Sensei's movies) SUBMERGED (another classic, i can't wait to review) was originally intended to be a movie about underwater sea-mutants (sounds fucking awesome) but eventually was dropped, in favour of the old 'special ops' mission movie (and only featured about 15 minutes screen time, actually in a submarine)
But in mid 2005, it was stated that HARVESTER was to be Stevens first foray into Sci-fi. Seagal would be battling a deadly alien queen, in a pumped up, kung fu version of SPECIES. Sadly, the plot was almost completely re-written...and any previously filmed scenes containing 'superhuman' strength, were altered to fit round a deadly new super drug called 'CTX Majestic'

But "how do you change the entire genre of an already filmed movie?"...i hear you ask. I'll tell you how...You dub the shit out of it (with voices that sound more like Peter Falk on angel dust) and frantically chop-and-change the scenes, whilst heavily doubling/dubbing your main star, and giving all the fight scenes to his sidekick. Thus is the (once seen, never forgotten) legend of ATTACK FORCE.

(When the sensei sees red, forgo your rights to breathe)

Seagal stars as (the incredibly named) Marshall Lawson, leader of an elite 'special Ops' unit. A role that Seagal can (and does) play in his sleep. We re first (rather confusingly) introduced to Lawson, as he drives around in a hummer, whilst action and explosions go on elsewhere. This sets a pattern in the movie, of having Lawson take a back seat, whilst the other brave idiots get their heads blown off. It's also apparent, that the voice we hear coming out Seagals mouth, is not his own. And to top it all off (the Peter Falk sound alike) is only one of the many voices that dub seagal throughout this movie (I'd say around 80% of Seagals lines are dubbed)

Anyhow, Lawson gets the drop on the surviving bad guy, from the earlier (seemingly unrelated) action...by disarming him of a foot long scythe-style blade, and returning it (like bad library book) back to the saps cranium. So-far, so-Seagal.....

(Marshall Lawson....The 'Fabio' of the C.I.A.)

Seagal is then seen in a bar in (not-so-sunny) Romania, with his trusty sidekick, Dwayne and the rest of his young rookie strike team. Later that night, the strike team talk amongst themselves about Lawson, and the newest rookie asks the immortal question (in a line of dialogue, that wipes the floor with John Barrowmans 'line' from SHARK ATTACK 3)

"So...Marshall Lawson, what do you guys know about him?......I mean the guy walks with an air of confidence, rarely seen in this day and age"

His colleagues laugh, but are quick to offer the following (self-congratulatory) piece of advice (that i'm sure Seagal himself added to the script)

"There's just two things you need to know about Marshall Lawson...one.....he's and bad motherfucker......and two...he's a BAD motherfucker"

With Lawsons (already) bad-ass credentials suitably set up, his team of young soldiers request a bit of R&R to view some of Romania's cultural high spots, to visit it's many fine monuments and to take in those sweeping vistas......Actually they head straight for the nearest (quote) "Titty-Bar" and soon strike up a deal with this shady looking (Richard Hammond-alike) below, for 'use' of one of his (ahem) 'Ladies of the night'

(This bad guy sells TOP GEAR....geddit?)

Take note of this 'Richard Hammond-alike' as (apparently) he's the criminal mastermind, behind the ensuing carnage to follow. Oh, and it's probably not the best time to mention that this actor was recently jobbing it, as the resident doctor in EASTENDERS (a career high or low, depending on if you can stay awake throughout this review...let alone the actual movie?)

Anyhow, the 3 man unit, take the 'Lady' back to their hotel, for some 'naughty' R&R, and amidst the 3-way rumpo, the woman's eyes change from normal to cat like (in probably the movies FX highlight) This sequence was probably the left-over stuff from the (planned) HARVESTER footage. Anyhow soon this dusky beauty is tearing the 3 man unit into a 12 piece (red) puddle.

And it's in this small sequence, when there's a genuine glimmer of what sci-fi/horror potential this movie might have had. Even the rookie (who praised Lawson earlier ) and wasn't getting much Romanian Rumpo anyhow...is not spared the wrath of this eye-changing alien queen...(err sorry, i mean 'under the influence' psychopath of superhuman strengh)

Of course, Lawson discovers the mutilated bodies (despite casually slamming their lifeless bodies out of his way, when they block his doorway) and despite their hotel room being covered in more blood than humanly possible for 3 guys, Lawson (after little soul-searching) confidently tells Dwayne (as he checks the bodies for pulses) "Don't bother...they're dead" (Lawson is a pro, and knows shit like this)


Understandably pissed (but nicely coiffed) I'd like to say that Lawson goes on a kill crazy rampage of death and destruction.....When in reality, all he does is tries to get clearance into his old CIA building, and peacefully walks away, when refused entrance (but his hearts in the right place) But luckily Lawson has a mole that still works for the 'Company' .....a leggy blonde named Tia (who was once Lawsons lover, and probably still is?)

Anyhow, Lawson sits in a few restaurants, whilst Dwayne 'pumps' him with 'intel' (f'nar, f'nar) about the investigation. It seems that the Richard Hammond look-a-like has been arrested, but the authorities can't touch him. Although soon (and rather confusingly) enough, Lawson and his team get the drop on the prostitute that murdered his unit. Lawson may well grimace over a threatened outbreak of 'CTX Majestic' into Romania's water supply, but i'd be slightly more wary of his on/off girlfriend Tia (as the drugged up prostitute throws her through 3-4 walls...and she gets up, as if she'd been thrown through polystyrene....which she actually was.....but we the humble viewer are not meant to know that)

(Ouch..........Ouch...........Ouch!)

Lawson (sick of fucking around) gives the superhuman bint a few slaps, before questioning her. It gets nowhere, so he stabs the shit out of her (with her own weapons, the previously mentioned scythe like wrist blades) Soon Tia (when she's not getting thrown through walls) uses all her C.I.A technology, and (confusingly) adapts the same weapons to react to Lawsons (no doubt) 'amazing' hand speed. I don't know how the fuck she does it, but we (the lucky viewer are treat to a computer read out, stating: ASSIMILATION COMPLETE) which means one thing...enough of this fighting women shit....LAWSONS ABOUT TO KICK SOME FUCKING ASS!!!!!

Anyhow, the threatened CTX pollution of the towns water supplies goes ahead. And various army units (not Lawson, by the way) siege an attack against the infected (who all have the same 'cat-eye' look and murderous intent)

(Even the smiles were forced on the set of this movie)

After a few fistfights (errr....none of them featuring Lawson) our heroes finally dispatch the bad guy, before coming face to face with another (fucking) woman (seriously Steve, only Ike Turner would approve) and whilst Dwayne fights various bad guys (in some pretty nifty scraps) Lawson is forced (and probably content) to fight another superhuman female (who kicks his ass a little) before he lovingly impales his blade through her skull.

(Seagal attempts to win the 'Rick-James-Mano-O-Womano' smack down of 2006)

After such a monumental battle of (not quite) epic proportions, you'd expect the film-makers to inject a final scene (that could possibly hint to a sequel, or at least tie up the 47 loose threads)....but no. Lawson helps Dwayne limp out, and the next shot is a car driving away. Picture fades, end credits appear.

CYBER TRACKER (1994) Don 'The Dragon' Wilson

PM ENTERTAINMENT (Richard Pepin & Joseph Merhi) are responsible for some of the best low-budget movies out there. These guys are savvy enough, to know that it's not always about De nIro-like performances, coupled with Mamet-esque dialogue. PM give you non-stop, rough and ready action, and in 1994 at their height of power, they knocked out a b-movie classic, with more than a passing nod to The Terminator and Robocop (and Pepin directed it also)

(Don 'The Dragon' Wilson in action)

Don 'The Dragon' Wilson stars as Eric Phillips(1) a secret service agent(2) protecting Senator Dilly, who's attempting to pass a law, allowing unstoppable(3) Cyborg policemen to assume responsibility from the regular human variety. A anti-Cyborg fraction, The UHR (United Human Rights) attempt to stop this law (and resorting to terrorism to do such) which makes Phillips job more dangerous with every new attack. Dilly's second in command, Ross, doesn't like Phillips, and the two trade insults, and 'thousand yard stares' aplenty, until Phillips turns against his employers, after they cold-bloodedly murder a UHR member. Framed for the murder, Phillips finds himself on the run from the merciless Cyber-tracker policemen, who'll let nothing or no-one stand in their way.

CYBER TRACKER has similar elements to CYBORG COP, but seems a little less goofy. As usual PM start proceedings with a car chase/explosion, and continue throughout, til the 90 minute mark) Wheras CYBORG COP, did contain a few more lulls (but is genuienelly funnier and lighthearted, throughout)
Don 'The Dragon' Wilson(4) (never understood why his 'nickname' made it on the actual credit roll?) gives one of his better performances here (in what was his 13th film, in a 5 year period) and despite the 'hokey' dialogue, and hand-me-down plot, he (and the rest of the cast) keep a straight face, and deliver a solid action flick. Oh, did i mention that Richard Norton plays second in command, Ross (and let's face it, Richard Norton is much better value for money, than the terminaly boring and highly overrated Edward Norton, any day) so you just know he and Wilson are gonna 'trade punches' before this movies finished (to be fair, with a good guy/bad guy combo like this, the cyborgs come a pale third, in the packing order of excitement)

Anyhow, enough of the niceties, let's get to the 'ropey' elements (the sort that make you spit your cheap cider out, upon initial viewing) CYBER TRACKER may aspire to be Terminator-esque. But doesn't have the budget...resulting in some rather tacky FX, and garbled logic (befitting of a STV release)

The Cyborgs

These 'Trackers' are 'Right-Said Fred' lookalikes, who have morphing qualities that defy logic (let alone, rational sense). For instance, they can produce a (badly morphed CGI) 'police badge' from the palm of their hand, before arresting someone...But (and this is the real pisser) they can produce a side-arm from their legs. Sounds cool doesn't it? (so far, so Robocop) but whereas Peter Weller had a nifty opening and shutting leg compartment to administor his weapon, the Trackers have to tear away a strip of their black 501's to produce a gun which morphs out of the leg itself. A good job these Cyborgs are indistructable, otherwise they'd catch a cold, with all these torn trousers and exposed thighs?

(WTF! part I)

(WTF! part II)

As for the Cyborg FX, whenever things threaten to get technical (and animatronic, hence: expensive) the Cyborgs have a self healing 'green-ready-brek' glow that emits from there hands, that flattens out any busted circuits (reducing them to 'stuck on, tin-foil attachments)


You won't need to be Russell Grant(5) to figure that somewhere in this movies plot, Wilson is a hard-drinking divorcee. But this movie has one original idea up it's sleeve, in that Wilson has an A.I computer system (named AGNES) in his appartment (replete with asinine 'shelly Long-style accent) Don likes nothing more than after a hard days 'killing terrorists', to kick up his feet, open some booze, and indulge in the sadomasocistic self-recrimination of watching (and re-watching) the fateful day his wife left him (on CCTV) and even getting 'AGNES' drunk(?)

And it's during the 'drunk' computer scene, that CYBER TRACKER has one unique scene (admist the car flips and explosions) that's quite touching (yep, I said it!) Phillips causes AGNES to be drunk by keying in a 50% 'perception loss' (when he promised only a 5% loss) to her memory bank.

(A genuinelly 'Touching Scene' from Cyber Tracker)

Agnes "Eric, i said five percent, this is too much (slurs) What was i going to say?"
Phillips "You love me"
Agnes (in completely gargled computer-speak) "I loovee youu Erricc"

Phillips smiles, but averts his attention from his artifical computer-love, long enough to notice a picture of his ex-wife. His smile turns sour in his realisation.

It truly is a great scene, lost in a sea of Car-flipping, and morphing cyborgs.

Oh yes, and whilst the cliché-meter is running, let's not forget that, whilst on the run, phillips joins up with the UHR (who turn out to be ok, if a little inexperienced) but of course, the leader is a statuesque blonde, who takes a shining to 'The Dragon' (as per usual)

(DON Juan)

Anyhow, to cut a long story short......THE END (only joking!) But the Trackers (despite being billed as indestructable', are anything but) three of the buggers are sent out to kill Phillips (can you guess who wins in the end?) and thankfuly the fight between Phillips and Ross is pretty good showcase of why you hire Norton for an action flick (take note ROADHOUSE 2, i'm talking to you!!)

('Housewifes favourite' Richard Norton)

All in all, CYBER TRACKER does what it says on the tin (or be it, 'tin-foil' with this budget) It's no TERMINATOR, but miles better than the morose po-faced TERMINATOR SALVATION (a movie with a catering budget, bigger than the combined budgets and revenues of Don 'The Dragon' Wilsons entire career)
And to quote Admiral Bates: "You'd think we'd learn something from that?"


Movie Highlights

04:09 (The Tracker, comes across a huge oversized model of a robot, in a nightclub he's just shot the shit out of. Upon scanning the model, with his Terminator-style on screen graphics, his memory banks try to identify the model and comes up with names of former 'screen' robots, like 'GORT' or 'T1000'' and 'THX1138' in it's fruitless search)

04:50 (A car explodes)

12:23 (A helicopter explodes)

13:30 (A van flips in mid air....................before exploding)

16:55 (Ross - "Phillips is nothing more than an impulsive, hot-headed ametuer")

18:32 (Phillips gets his home computer drunk)

22.37 (Awesome sleep device, that would also be beneficial to rapists)

25:55 (Don kicks mucho ass)

28:56 (And then proceeds to kick some more)

30:45 (A police car explodes)

31:41 (Send in a 'Tracker')

32:47 (Don stops everything, for a hot-dog)

36:52 (A fire engine explodes, in a rare automotive case of "Physician Heal Thyself")

45:20 (Send in another 'Tracker')

60:03 (Send in 'Richard Norton')

69:34 (Richard Norton captures Don 'The Dragon Wilson', in a record 9:30 mins)

72:56 (Phillips removes his shirt)

74:24 (Ross Vs Phillips)

78:15 (Another 'Tracker')

80:42 (A cyber-Tracker AND a car....explode)

(A car flips, in a rare-one off scene from Cyber Tracker)

(1 = not an overtly 'tough-guy' name like Frank Shatter for example?)

(2 = But, in true Weng-Weng style, announces his confidential status, to all and sundry)

(3 = Anything but)

(4 = Who is not John Cho from the 'Harold & Kumar' movies, either)

(5 = Rotund, Camp TV asstrologer, readily available when Christopher Biggins is 'elsewhere')